A Man’s Search for Truth Told in The Storyteller's Nights
Jean-Michel Désiré’s Xlibris release to be featured at the 2011 American Library Association-Midwinter Book Exhibit.
Read more on PRWeb via Yahoo! News
Ipad ebook:Creating an iBook (ePUB) for the iPad with InDesign CS5
in this video I'll show you the steps you need to take to create an iBook for the iPad or ePUB for just about any other ebook reader out there using the NEW InDesign CS5! You can actually download this iBook for FREE at terrywhite.com/techblog/25ipadtips.zip
Article: iPhone + iPad Gems: Curious George, Gossie + Friends, Grimm’s Rapunzel 3D & Pocket God: Uranus|Lastest Ipad News]
Article: iPhone + iPad Gems: Curious George, Gossie + Friends, Grimm’s Rapunzel 3D & Pocket God: Uranus
Welcome to 2010’s final kid-focused edition of iPhone + iPad Gems! Today, we’re rounding up a collection of fun little applications that range from simple games to a 3-D storybook and the iPad edition of the well-established iPhone/iPod touch episodic franchise Pocket God. Our top pick in the bunch is Grimm’s Rapunzel, but there are a couple of other titles that merit some attention, too. Read ...
Read more on iLounge
Welcome to my annual Smashwords year in review where I report our progress and plans for the new year.
2010 was a breakout year for us. It was also a breakout year for our indie ebook authors and publishers.
Exactly two years ago we were publishing 140 books from 90 authors. We thought that was fantastic for our first year in business.
Last year at this time we hit 6,000 books from 2,600 authors and publishers. We were thrilled.
Today we’re listing 28,800 books from over 12,000 authors and publishers. We released 3,200 new ebooks in the last 30 days alone. We’re pinching ourselves now, not just because of how far we and our authors have come, but because we know we’ve barely scratched the surface of the possible.
Six years ago Smashwords was a jumble of simple ideas scribbled on a sketchpad. Today it’s a reality.
My original idea was simple: Create a free ebook publishing platform that would allow any author, anywhere in the world, to instantly publish an ebook at no cost. Authors, I believed, should have the right to publish whatever they want, and readers should have the freedom to decide what’s worth reading.
From the beginning, just about every conceivable odd was stacked against us. When we launched, ebooks accounted for about 1/2 of 1% of the overall book market; self-publishing was considered the option of last resort for failed authors who couldn’t find an agent or publisher; and self-published books weren’t selling. All the ingredients for a successful business, right? I thought so. I had a hunch all of this would change because it needed to change.
I believed traditional publishers were squandering the future of books. After decades of consolidation, big publishers began sucking the soul out of publishing. They began judging the merits of a book through the myopic prism of perceived commercial potential – a recipe for dumbing down publishing with more milquetoast celebrity books. Wanna buy a book from Justin Bieber, Snooki or the Kardashians?
The shift to this commercial filter meant that authors who otherwise deserved publication were denied the opportunity, therefore depriving readers of their ability to enjoy these books. If you value books, and if you believe as I believe that books are essential to the very future of mankind, then it’s time to rise up and do something about it. I’ve always had this higher purpose in mind with Smashwords. If you look at our logo, I call it “the power to the people fist.”
We’re also building a business as we try to change things for the better. In my 20+ years of technology entrepreneurship, I’ve always been drawn to startups that have the power to effect positive social change. This was certainly the case with my last startup, Bestcalls.com, where I helped level the playing field for small stock market investors.
Smashwords, to me, is the startup of a lifetime. Every day I’m excited to be part of it. Smashwords will only ever be as great as the authors and publishers we enable. Considering the vast reservoir of creative talent we have yet to help unleash upon the world, I’m confident our best days are ahead of us.
Back to the business. What a difference a couple of years make. Today, ebooks account for nearly 10% of trade book sales. This number will probably double in 2011, and as I predicted over at GalleyCat earlier this week, I think on a unit volume basis, ebooks will account for one third or more of all book consumption come December 2011. I never imagined this would happen so fast, and it’s possible I’m underestimating the growth this market will experience in the coming year.
After 31 months of advocating the indie ebook gospel, I still wake up every morning invigorated by our possibilities and potential. We attack every day with the tenacity of a newborn startup. Like I said last year, and I’ll say it again, we’re just getting started.
Some of the highlights of the year in addition to the numbers I shared above:
- Smashwords is now one of the largest distributors by title count of indie ebooks to retailers such as Apple, Barnes & Noble, Sony, and Kobo
- I’m very pleased with the support these retailers have shown our indie authors and publishers. Retailers are starting to earn real profits from our indie ebooks. This is cause for celebration for all indie authors and publishers, because it means access to more distribution in the future.
- In April Smashwords became one of a small handful of global aggregators serving the Apple iBookstore. On launch day of the iPad, we had over 2,000 books in the Apple iBookstore. When Apple launched the iBookstore in Australia, we had nearly 10,000 books in the store.
- In December we successfully transitioned all of our retailers to agency, or agency-like pricing. This means authors and publishers set the price at retail, and earn 60% of the list price.
- Preliminary sales reports from Apple and B&N indicate that sales more than tripled in the couple of days following Christmas. It will be interesting to see how these numbers moderate over the coming weeks.
Traffic to Smashwords.com:
- In the past year, people visited Smashwords from 227 countries
- 59.6% of visits came from the U.S.; 40.4% came from outside the U.S.
- Top 5 countries accounted for 80% of visits
- Top 20 countries accounted for 90%
- Top 40 countries accounted for 95%
- Millions of people visited Smashwords.com this year for the first time
- Smashwords.com receives millions of page views each month, and our traffic continues to grow each and every month.
- Way back on October 7, 2009, when we reached 150 million words published, I set a crazy goal to reach one billion words by December 31, 2010.
- On October 20, 2010, we reached one billion words nine weeks early.
- Today, December 31, 2010, we’ve beat the goal by over a quarter billion words.
- We redesigned our web site infrastructure this year to support faster performance and greater reliability. The site’s uptime and performance is excellent now, and has been scaling very well as we achieve record traffic each month.
- We made multiple enhancements to our Meatgrinder conversion system this year, and as a result the quality of our ebook outputs is better than ever.
- A few months ago we reached profitability. Nothing spectacular, and not enough to pay me a salary yet (I’ve always worked for free) because I’m reinvesting any excess cash back into the business. What this means is the business is now fully self-sustaining and we’re adding staff. We’re here for good. We accomplished this while also paying some of the highest royalty rates anywhere. Unlike other services that make much of their income by charging authors upfront fees for publishing packages, set-up, and other products of nebulous value, our services are free and accessible to any author. We believe our interests are aligned with our authors and publishers. The platform we created allows us to take a risk on every author. If we don’t sell anything, we don’t earn our commission.
What’s coming in 2011:
Competitive front: Fight to survive and thrive. Despite our initial traction in the marketplace, our future is by no means guaranteed. We will continue to pursue our business plan with vigor because there’s no room for complacency. We’ve already seen multiple upstart competitors try to launch Smashwords knockoffs. Good luck to them. They’ll soon learn how tough it is to make a buck in this business. Have I mentioned I’m competitive?
Distribution: We love ebook retailers because they’re expert at putting our ebooks in the hands of readers. Over the next 12 months we’ll continue to add more retailers to the Smashwords distribution network, while working to build broader and deeper relationships with our existing retail partners. We understand that authors and publishers often have the option to go direct to retailer. Our mission is to make it more profitable for authors and retailers to work through us. We think we add a lot of value to the ebook supply chain for authors, publishers and retailers alike. If we don’t add value, we don’t deserve to be here.
Meatgrinder: As I mentioned above, we made a lot of enhancements to Meatgrinder. We’ll continue to iterate and improve it in the months ahead, especially in the area of automated TOC detection. We’ll also add more error-correction.
Premium Catalog reviews: For most of the year, we managed to maintain one week or less turnaround times on Premium Catalog reviews, though a few times we got backlogged up to two weeks. We’re working on plans that should help accelerate Premium Catalog approval cycle times, so we can help you get your book in the catalog and distributed to retailers faster with less back and forth.
Surprises: We have several surprises planned for 2011. I can’t tell you what they are otherwise they wouldn’t be surprises.
Stretch Goal: Our goal is to hit 75,000 indie ebooks published at Smashwords by December 31, 2011. This means we need to add 47,000 books in 12 months. That works out to 130 new releases each day or one new book every 11 minutes.
Ongoing Education: While I sometimes criticize some of the practices of big publishers, I continue to have enormous respect for professional publishing and the people in publishing. Although we make it easy to self-publish an ebook (some have said “too easy”), we don’t make it easy to produce a book worth reading. That responsibility lies in the hands of the author who must now step up to the plate and become a professional publisher. They must adopt proven best-practices of publishing, such as professional editing, revision and proofing prior to publication, and professional cover design. We’ll do our best in the coming year to continue to help authors and publishers improve the practice of publishing so they honor their readers with books worth reading.
Smashwords Direct: Right before Christmas, we began working with a large publisher of public domain books to convert and distribute 10,000+ titles across the Smashwords distribution network. Since we don’t accept PD titles at our Smashwords.com retail site, these titles will only go to retailers. In the year ahead, we’ll look for additional opportunities to help other large publishers take advantage of our expanding distribution reach.
Smashwords.com Refresh: We’re noodling on multiple ideas to give the site a refresh so we can do a better job of showcasing the higher quality titles, as determined by real customer downloads, purchases and reviews. Ever since we launched in May 2008, it was important to me that every new Smashwords book receive its 15 minutes of fame on the home page as a new release. This gives every book a fair and equal chance to find its first readers, and if the book is truly wonderful, the readers can take it viral from there. The downside of this democratized feature process is that everything new hits the home page, and often the work isn’t ready for prime time. It might be missing a cover image, or the author didn’t properly format it to the Style Guide. Our current policy of showcasing all the latest releases – even the obviously poor ones – ultimately gives first time visitors a warped perspective of the true talent captured within the Smashwords catalog. Another issue I want to tackle is adult content. We’re big supporters of free speech, but we often receive complaints from visitors and authors shocked by some of the erotica images they see on the home page – images they’d never see on the home page of another bookstore. We also have kids who hit the home page for their first visit, and such content isn’t appropriate for them either. We’re working on ideas in this regard that can strike a fair balance, while still allowing our professional erotica authors and publishers to get their books exposed to more customers who are searching for that content. Stay tuned as we work to strike a good compromise that benefits all parties involved.
Responsible Adult Content Publishing: There have been reports that Amazon has clamped down on incest-related titles, and some authors and publishers worry this is the start of a trend toward increased retailer censorship. At Smashwords, we’ve always articulated a very clear policy in our Terms of Service regarding acceptable content, and we were probably one of the first to define a clear policy against publishing erotica that includes underage characters, even if those characters are bystanders in the story. If the story is intended to titillate, kids don’t belong in it. Simple. We’ve started encouraging our erotica authors and publishers to clearly state inside their books, if not in the book description, that all characters are 18 years of age or older. I think it’s important that responsible erotica authors and publishers self-enforce these reasonable guidelines, otherwise retailers will be forced to think twice about carrying such content. Smashwords was founded with a fierce belief in free speech and no censorship, and our conviction on this issue remains true, but that doesn’t mean anything goes.
For those concerned about censorship in the retail channel, I can happily report that I’m aware of fewer than a dozen titles that have been outright rejected by our retailers, and in some of those cases the content violated our Terms of Service anyway. In other cases, the authors were able to make minor modifications to cover images to satisfy retailer requirements. This works out to less than one thousandth of one percent of our titles. I think the small number reflects not only the responsibility shown by erotica authors and publishers to comply with our Terms of Service, but also the benefit of our manual vetting process at Smashwords for Premium Catalog distribution. I know our retailers appreciate we self-police. We’re also thankful to Smashwords readers and customers who report potential violations to us, so we can work with the author/publisher to proactively remove or fix the content.
My New Year’s Thanks to All
To the 12,000+ authors and publishers who entrusted your precious books to Smashwords over the last 2.5 years, and to those of you who stood by us despite our many inevitable growing pains, and who always believed in our commitment to do right by you, thank you for believing in us. We will continue to run our business with the highest ethical standards and transparency as we always have, and will work to earn and deserve your continued trust every day. Happy New Year!
Via Mark Coker’s Smashwords blog
In mathematics, catastrophe theory is the study of nonlinear dynamical systems which exhibit points or curves of singularity. The behavior of systems near such points is characterized by sudden and dramatic changes resulting from even very small perturbations. The simplest sort of catastrophe is the fold catastrophe.
When a fold catastrophe occurs, a system that was formerly characterized by a single stable point evolves to a system with no stability. The point where stability disappears is known as the tipping point.
One of my goals for this past year was to raise awareness of the tipping point for libraries that will accompany the obsolescence of the print book. In January, I noted that Hal Varian’s equation describing the economic value of libraries also predicts that libraries of the current sort won’t exist for ebooks.
In March, I put the question directly to John Sargent, Macmillan’s CEO. His response, that ebooks in libraries were a “thorny problem” got quite a bit of notice. Unfortunately, the big trade publishers have yet to actually do much to address the thorns.
In May, I was pleased that the editors of Library Journal were putting together an “eBook Summit” virtual meeting to address some of these issues, and even more pleased to be invited to write a series of articles to help frame issues for the Summit. The event ended up being titled ebooks: Libraries at the Tipping Point. For me, the highlight of the summit was Eli Neiburger’s talk on How eBooks Impact Libraries. This talk is destined to be known forever as the “Libraries are Screwed” talk, and if you’ve not viewed it I urge you to do so forthwith.
Several other contributions raising awareness of the library-ebook catastrophe are worth noting. Emily Williams’ commentary on Eli’s talk is worth reading and her attention to the issue has been consistent. Library Journal’s Heather McCormack is another persistent voice- I particularly loved the story she told in a column written for O’Reilly Radar. Tim Spalding’s post on “Why are you for killing libraries is another favorite.
So at the end of the year, what have we accomplished? One disappointment for me was that although Library Journal’s eBook Summit was quite popular with librarians, it appears that very few publishers took notice. On the rare occasions when publishers took notice of the role libraries could play in the ebook future, they tended to be depressingly reactionary, such as when the UK’s Publishers Association set out their plan to marginalize libraries while apparently thinking they were boosting them.
Similarly, Amazon announced yesterday the addition of a lending feature for the Kindle. This feature seems designed to compete with a similar feature in the Nook, but nowhere in the announcement is there any mention of libraries as being anything other than the books on a user’s Kindle.
Meanwhile, adoption of ebooks and ebook readers has accelerated. Amazon announced that the third-generation Kindle is the bestselling product in Amazon’s history. Barnes&Noble fired back, reporting that the NOOKcolor is the best selling product in its history. In comparison, this month’s announcement by Overdrive that it (finally!) has released apps for reading its library ebooks on Android devices and iPhone seems a bit too-little-too-late. (sorry, no iPad version!).
Perhaps the time is over for raising awareness about the catastrophic future of libraries. In 2011, let’s build things that change the system dynamics.
Via Eric Hellman’s Go to Hellman blog
Shocker! Kindle becomes all-time best-seller on Amazon
Surprise! Amazon has announced that in just five months, the new, third-gen Kindle replaces 'Harry Potter and the Deathly Hallows' as the best-selling product in Amazon's history.
Read more on ZDNet
Dual core iPad 2 means iPad 2 will have dual cores
There’s some confusion over what a dual core processor in the iPad 2 means, and whether the iPad 2 will run any faster or chew through the battery any faster, so what’s expected to happen?
Read more on iTWire
Conspiracy Theories Unveiled in Children’s Edition: the Illuminati Code, Cracked!|Lastest Ebook News]
Conspiracy Theories Unveiled in Children’s Edition: the Illuminati Code, Cracked!
New book reveals the truth about the Illuminati/New World Order conspiracies.
Read more on PRWeb via Yahoo! News
I’m going to make a New Year’s Resolution to do more e-book reviews. They’re fun to write, and they make a good change in pace from the e-book news that fills these pages. Plus, they make a good excuse to read e-books in new programs or devices.
Lately, I’ve decided to go back and reread the entire Honor Harrington series and related works, by David Weber (and friends), in internal chronological order. A few more novels have come out since the last time I did this, with another scheduled for 2011, and it’s been long enough since I read the whole thing that if I just read the latest ones I know I’ll miss about half the story. And since I’m going to be reading them anyway, I figure I might as well review them here as I do it. (I will space them out and intersperse other reviews as well, for variety.)
The Honor Harrington series is one of the Baen Free Library’s earliest successes—in fact, before there was a Free Library, the first Honor Harrington novel, On Basilisk Station, was given away as a “free sample” for Webscriptions. (That’s how I first read it, and got hooked, and probably the same is true for many other Honor fans.) The fact that it also became Baen’s most popular backlist title in paper was all the proof that Jim Baen and Eric Flint needed to form the library and, later, start giving away every e-book in that and other series on bound-in CDROMs.
Since the complete Honor Harrington series thus far is available on one of those CDROMs (with the exception of one short story/novella anthology, due out in February), hosted publicly on-line at The Fifth Imperium, this means that any TeleRead readers who would like to follow along can read the stories as I do. The reviews will try to avoid major spoilers for the book or story being reviewed, but will almost certainly contain them for previous ones.
This is a reread I undertake with some trepidation, as my feelings about the Harrington series are marked by no small amount of ambivalence. Make no mistake: Weber is a very talented writer, and I fully enjoyed the books while reading them (for the first time, at least), but as Weber’s longest-running series (indeed, one of the longest-running recent SF series in general that I know of), it provides ample room for some of his flaws as a writer to come to the fore as well.
The Honor Harrington books are quite an accomplishment in epic world-building. Even leaving aside the hundreds-of-years-ago prequel stories, they span a period of over twenty years, following the interwoven arcs of several characters as they affect the history of their respective star nations. And if the way that starship technology is set up to force space battles to play out like naval encounters seems a little contrived, the battles are still written suspensefully—and anyway, the naval parallel makes it easier for readers to envision the encounters.
On the other hand, Weber’s tendency to paint characters largely in shades of black or white has a lot of room to play here. Characters are often either incredibly good and noble or irredeemably evil (or irredeemably incompetent, which amounts to the same thing), with very little grey area in between. (And anyone who messes with or even sneers at Honor usually gets what’s coming to him in the end.) I tried to come up with exceptions to this rule, but then realized every character that came to mind was from one of the spinoff stories or novels written by guest writers!
And of course Honor herself sometimes seems too perfect to be true. To use TVTrope speak, she has often been accused of being a Canon Sue and a Boring Invincible Hero (though ironically, Weber had originally planned to kill her off at one point and jump the story ahead to the next generation). On the other hand, those are just the flip side of being a Determinator.
When combined with the way Weber is often very hard on his characters in their personal and professional lives (Honor goes through about seven different kinds of hell in just the first few books, let alone the rest of the series) and the somewhat heavy-handed politics, this can tend to make the series as a whole read very melodramatically. This is not bad in small doses, but it is one of the reasons I am a little hesitant to approach the entire series again.
But as I said, despite all this Weber is a very good and engaging writer. And it’s a measure of that engagement that he makes me care about the characters enough to want to experience their lives again, even knowing what awaits them. That I’m willing to go through the whole thing so I can find out what eventually happens next is ample proof of that.
So, despite my trepidation, once again I turn to life among the treecats.
Coming Up: Honor Harrington Prequel Stories
Ipad ebook:Guinness World Records at iPad UK Launch, London
For the UK launch of the iPad Guinness World Records entertained the queue waiting outside the Regents Street Apple Store by giving them the opportunity to set a new Guinness World Record for the fastest time to type the alphabet on an iPad. 28 year old Joseph Grech from London was eventually awarded the Guinness World Record, completing the task in a time of 6.61 seconds. Also in the queue were the world's tallest married couple, Keisha and Wilco van Kleef-Bolton. The couple feature on a new free LITE app created specifically for the iPad: Guinness World Records: At Your Fingertips. The new iPad app offers an exclusive collection of multi-layered, world-record feats including compelling video, images and graphics allowing readers to interact with the content like never before. Versions for iPhone and iPod Touch will follow soon.